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Click here for my full CV. 

Selected CV

​​Academic Appts.
 

2026—

2022 - 2025

Education



2017 - 2022

 


2015 - 2017 



2011 - 2015




 

Publications


2025 

2024 





 

 

 

 

2023

 

 



2022




Presentations

 

2025

2024 

 

 

 

2023 

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2022

Curation

​2025

​​

​2018

Performances


2025

2022

2021 



2019 


 

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The University of Texas at Austin 

Lecturer of Music Theory

University of Richmond

Visiting Assistant Professor of Music Theory

Northwestern University

PhD in music theory & cognition

Certificate in critical theory 

The University of Texas at Austin

MM in music theory

Certificate in interdisciplinary teaching

The University of Texas at San Antonio

BMus in horn performance, summa cum laude

Highest Honors distinction 

“Limelight of the Idols: Voice, Virtuality, and VTubers.” In “Music, Media, and Narrative in the Streaming Age,” eds. Julin Lee and Emile Wennekes. Special Issue, Kieler Beiträge zur Filmmusikforschung 19 (2025): 59-79.

"The Lament[S] of the (Post)human: Existential Voice and/in NieR: Automata (2017)." In "Playing with Voice: Listening for Audio-Visual Expressions and Representations of Voice, Vocality, and Speech Acts in Games," eds. Kate Galloway and Janine Bower. Special Issue, The Journal of Interdisciplinary Voice Studies 9, nos. 1-2 (2025): 79-96.

“Video Games Alive: Ludic Liveness and (Re)playful Listenings in Video Game Music Concerts.” In The Oxford Handbook of Video Game Music and Sound. Edited by William Gibbons and Mark Grimshaw-Aagaard. 

 

"From the Screen (to the Screen) to the Concert Hall: Arrangement as a Worldbuilding and Worldbridging Device in the Kingdom Hearts Series." In The Oxford Handbook of Arrangement Studies. Edited by Ryan Raul Bañagale.

with James Denis Mc Glynn. “‘We are what they grow beyond’: Visions (and Sounds) of a Transnational Star Wars.” Musicology Now. December 18. https://musicologynow.org/we-are-what-they-grow-beyond-visions-and-sounds-of-a-transnational-star-wars/

“Uematsu’s Postgame: The Music of Final Fantasy in the Concert Hall (and Beyond).” In The Music of Nobuo Uematsu in the Final Fantasy Series. Edited by Richard Anatone.  

“Death and Transfiguration: (Ludomusical) Adaptation across the Scott Pilgrim Franchise.” Music and the Moving Image XXI. Steinhardt School of New York University, May 30-June 1. ​

“The Politics of Virtual Voice.” Audible Futures: Media, Ecology, and Art. Music Research Center of Hanyang University, Seoul, March 28-29.

“Beyond Voice and Stream: Fan Constructed Lore in the Age of the 2.5D.” Music, Media, and Narrative in the Streaming Age. Joint conference of the Kieler Gesellschaft für Filmmusikforschung and the International Musicological Society’s Music and Media Study Group. Hochschule für Musik und Theater München, June 6-7.

 

“Playing Between Forms: Intersemiotic Translation and the Classical Arrangement of Video Game Music.” Joint meeting of the American Musicological Society and Society for Music Theory. Denver, CO, November 9-12. 

“Virtual Ventriloquism: The Live 2D Hyperreal.” Instruments, Interfaces, Infrastructures: An Interdisciplinary Conference on Musical Media. Harvard University, May 11-13. 

“Replayful Listenings and the Fantasy of (Musically) Relived Experiences.” Joint meeting of the American Musicological Society, Society for Ethnomusicology, and Society for Music Theory. Hilton New Orleans Riverside, November 10-13.

Label contributor (Bethany Collins, The Dixie of Our Union, 2022), “Look Again: Art for Our Curriculum” exhibition in UR’s Harnett Museum of Art. January 28–May 17.

 

 

Co-curator under Ryan Dohoney, “Music Remains: Memory and Mourning in Northwestern University’s Distinctive Collections” exhibition in Northwestern’s Deering Library. December 14–March 17.

 

University of Richmond Video Game Orchestra: "A Night at Karaoke."

March Caprice 2.0: Kingdom Hearts 20th Anniversary Celebration Concert: "Twilight Town Melodies" (Reconstruction/"Final Mix" by Kinode).

Darian Donovan Thomas' "Untitled." Voice sampled for fixed audio. BRIC, Brooklyn, NY.

Steve Parker’s “War Tuba” closing reception/experimental music showcase. Featured soloist (at the invitation of Parker). Presa House Gallery, San Antonio, TX. 

 © 2026 by Stefan Greenfield-Casas

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