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Stefan Greenfield-Casas

I am an English-born, South Texas-raised, and Mid-Atlantic-based writer, educator, musician, and collector.

My scholarly work primarily considers the multifaceted relationship between music, myth, memory, and media epics through varying critical theoretical lenses. I have examined this relationship in the context of a wide range of media and repertoires: from poet Ezra Pound’s use of Clément Janequin’s Le Chant des oiseaux in his Canto LXXV, to the Pokémon franchise and das Transmediagesamtkunstwerk; from the onslaught of postmillenial wuxia films in the early aughts, to the collaborative artistic ventures that underscored San Antonio’s tricentennial celebration. My current scholarship examines the adaptation and classicalization of video game and film scores into classical genres. My research on this topic can be found or is forthcoming in The Oxford Handbook of Arrangement StudiesThe Oxford Handbook of Video Game Music and SoundThe Music of Nobuo Uematsu in the Final Fantasy Series, The Journal of Sound and Music in Games, and Translight: A Contemporary Gaming Magazine. My artistic practice is generally improvisatory in nature, and is concerned with theories of tuning, the gestural, paraphrase, assemblages, and sound mass/texture. I am currently Visiting Assistant Professor of Music Theory at the University of Richmond, having just completed my PhD at Northwestern University. In my free time, I enjoy playing video games, writing poetry, painting, and researching/collecting art and watches. 

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From top left, clockwise: a) Headshot. Northwestern University. 2019. (pc: Fred Hosken); b) High Wire Arts Gallery Performance. San Antonio, TX. 2014; c) The Royal Music Association's Music and Philosophy Study Group's Conference. Strand Campus, King’s College London. 2019. (pc: Joseph Gabor)

Selected CV
 

Academic Appts.
 

2022—

Education



2017 - 2022

 


2015 - 2017 



2011 - 2015





Publications


Forth. 










2022



2020 



2018


 


2017




Performances



2022

2021 



2019 



2015 

 



2013-2015


2012


 

 

University of Richmond

Visiting Assistant Professor of Music Theory

 

Northwestern University

PhD in music theory & cognition

Certificate in critical theory 

The University of Texas at Austin

MM in music theory

Certificate in interdisciplinary teaching

The University of Texas at San Antonio

BMus in horn performance, summa cum laude

Highest Honors distinction 

“Video Games Alive: Ludic Liveness and (Re)playful Listenings in Video Game Music Concerts.” In The Oxford Handbook of Video Game Music and Sound. Edited by William Gibbons and Mark Grimshaw-Aagaard. 

 

"From the Screen (to the Screen) to the Concert Hall: Arrangement as a Worldbuilding and Worldbridging Device in the Kingdom Hearts Series." In The Oxford Handbook of Arrangement Studies. Edited by Ryan Raul Bañagale.

“Uematsu’s Postgame: The Music of Final Fantasy in the Concert Hall (and Beyond).” In The Music of Nobuo Uematsu in the Final Fantasy Series. Edited by Richard Anatone.  

"Rhythms of (Extreme) Play." 

https://www.ludomusicology.org/2020/04/27/rhythms-of-extreme-play/

“El Tricentenario: The Music of San Antonio’s 300th Anniversary.” https://musicologynow.org/el-tricentenario-the-music-of-san-antonios-300th-anniversary/.

“Playing with Time in The Zodiac Age.”

https://musicologynow.org/quick-takes-playing-with-time-in-the-zodiac-age/

March Caprice 2.0: Kingdom Hearts 20th Anniversary Celebration Concert: "Twilight Town Melodies" (Reconstruction/"Final Mix" by Kinode).

Darian Donovan Thomas' "Untitled." Voice sampled for fixed audio. BRIC, Brooklyn, NY.

Steve Parker’s “War Tuba” closing reception/experimental music showcase. Featured soloist (at the invitation of Parker). Presa House Gallery, San Antonio, TX. 

World Premiere of Jason H. Mitchell’s composition Thermal Bloom for horn and stereo fixed media (written for the performer). San Antonio, TX.

“Soundspace” Biannual Music Series. Featured artist. Blanton Museum of Art, Austin, TX. 

International Premiere of James Balentine’s composition Espirales Infinitas (for solo horn, guitar, and orchestra). “Bella Italia” Tour (Venice, Florence, and Rome).

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